Launching spring 2026
Donut is a sculptural pouring object designed and produced by Anette Leegaard and Alexandru Murar. Developed through the interplay of volume and void, this vessel exists simultaneously as a tool and as a spatial composition. Each piece is cast, assembled, and finished by hand in porcelain, with a wooden lid. First edition launching at Easter.
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BESKRIVELSE
Håndrejet lille skål til morgenmad eller alt andet i køkkenet. Skålen er god til forberedelse af mad eller servering af feks. buffet med flere små retter. Skålene kan stables og tåler opvaskemaskine.
DETALJER
Ca. 5.5 cm høj. 14 cm diameter.
Gasbrændt til 1280 °c
Tåler opvaskemaskine
BESKRIVELSE
Hånddrejet stentøjs kop med hank.
DETALJER
Ca. 7 cm høj, diameter 9 cm
Ca. volum 2.5 dl
Gasbrændt til 1280 °c
Tåler opvaskemaskine
DESCRIPTION
Lidded jar in porcelain with a transparent glaze on the inside and various glazes on the outside. Suitable for both food use and storing items like jewelry.
DETAILS
7 cm high; 10 cm in diameter
Cast porcelain
Gas-fired to 1280 °C
Dishwasher safe
Skuret is a ceramics studio based in Nexø on Bornholm, founded by Anette Leegaard and Alexandru Murar. Drawing on the island’s ceramic heritage and local materials, we create functional tableware alongside singular pieces.
All work is produced in our workshop, with wheel-thrown stoneware and cast porcelain. A selection of our work is presented at FORMA, an independent shop and gallery run collectively with other makers.
About SKURET
Anette works primarily with cast porcelain. Her practice explores alternative methods and materials, questioning traditional ceramic processes and ideas of production.
Through an experimental approach—using molds made from paper, textiles, and other absorbent materials—her work develops surfaces and textures shaped by constraint and adaptation. Finished with glazes made from local materials, her objects reflect an interest in self-sufficiency and material awareness.
Anette Leegaard
Alexandru Murar
Alexandru works at the potter’s wheel, focusing on functional forms shaped by use and tradition. The wheel is his main tool for developing proportion and presence, resulting in clear, considered shapes.
His practice includes assembling multiple thrown elements and ongoing material research, with a focus on ash glazes, atmosphere and kiln processes. Through this work, he explores the aesthetic potential of functional forms with gentle, organic contours.
